THE DePRIEST INCIDENT
By Charles White
In-person reading at Museum of the African Diaspora
2pm June 4, 2022
FREE with museum admission
Set in 1929, The DePriest Incident dramatizes an underexplored event in African American political history. Oscar DePriest, an outspoken civil rights advocate, has just been elected to represent Illinois in the U.S. House of Representatives—the first Black person to do so in the 20th century. He takes a hard line against racism, pushing for anti-lynching legislation and criticizing politicians who submit to Southern pressure.
Oscar’s mind is also set on his wife, Jessie, attending the White House tea party hosted by First Lady Lou Hoover, a courtesy afforded to all Congressional wives. Oscar and his ally, Julia West Hamilton, plan to use Jessie’s White House appearance to send a message about racial equality and drive attendance at an upcoming NAACP fundraiser. However, it is unclear if Jessie will receive an invitation—or if Jessie even wants to go, knowing that she will be ignored and belittled by some of the white women.
Through powerful characters and a gripping story, The DePriest Incident stages an important debate about the most effective political strategy for social change.
The DePriest Incident was selected from a pool of 100 plays from writers all across the country.
ABOUT THE PLAYWRIGHT
Playwright Charles White is a founding member of Harlem Playwrights 21, a not-for-profit playwriting workshop. His play, Succession, was a finalist in the 2018 ScreenCraft Play Competition. Another play, Unentitled, reached the semifinals of the same contest the following year, and The DePriest Incident was a semifinalist in the 2019 Blue Ink Playwriting Award Competition.
White has studied under Michael D. Dinwiddie, P.J. Gibson, Laurence Holder, Cassandra Medley, and Richard Wesley at the New Federal Theatre Playwriting Workshop, and is a graduate of Princeton University and NYU Law School.
White described the inspiration for The DePriest Incident in his playwright’s statement:
“In the course of researching another project, I stumbled on a largely forgotten event in American history which really surprised me. In 1929, Illinois Republican Oscar DePriest became the first Negro elected to Congress in the 20th century. First Lady Louise Hoover was planning a tea party at the White House for all Congressional wives, and Southern Democrats were absolutely irate at the possibility that Oscar’s wife, Jessie, might be invited to the tea party and break the sacred social barrier between whites and Negroes.
“All this drama over a tea party actually struck me as silly from my 21st century perch, but it also plainly illustrated the state of race relations in America at the time—and perhaps even now. I immediately knew I had to write about the incident.”
The Lorraine Hansberry Theatre at MoAD is a collaboration that connects theater and the visual arts, bringing both audiences together, making each art form more accessible and relevant to both constituencies and providing context across art forms. Each presentation will be followed by an audience discussion.
Bringing Art To the Audience (BATA) staged reading is supported in part by the California Arts Council and National Endowment for the Arts.
We are a not-for-profit theatre. DONATIONS and support are always appreciated.